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THE HOT AND NOT LIST as of February 18th 2001

Le Mec:

Hotlist

  • Fragma: "Toca". Their singles "Toca's Miracle" and " Everytime You Need Me" have been really great and the entire album is filled with beautiful trance/dance songs just like them.
  • Swan Lee: "Tomorrow Never Dies". A song originally intended for the James Bond film of the same name a few years back. However, most people know that Sheryl Crow ended up delivering the theme song. Swan Lee's contender is every bit a haunting and atmospheric, though, and probably only got scrabbed because someone more famous came along. Swan Lee's debut album "Enter" is out too but I haven't yet heard it. Should be fine too, though...
  • Michael Penn. I've been listening to his music over the last couple of weeks and feel like promoting it a little. And yes, he is related to the actor Sean Penn (he's the brother)...However, strongly inspired by The Beatles he delivers a very personal music dish that should be known by more people. Check out the debut album "March" from 1989 or the other two releases "Free-For-All" or "Resigned".
  • Nik Kershaw has written a book about how to make it in the music business. It's called "Spilling The Beans On...Making It In Music" and is based on Kershaw's personal experiences in the business. Probably contains a few good stories...

  • POINT OF VIEW: Deciding on what makes an album great...

    Every time I discuss music with other people and we get to discussing what makes an album great, it's funny how people can never agree on the same albums or on the criteria which should characterise these great albums. Personal taste and opinion is one thing, but what about some common guidelines to measure albums against...

    What is a great album anyway? Is it a great album if the critics say so but not many people have bought it? Do these critics have a more important music taste than our own? Ultimately, labeling an albums as "great" is always based on music taste and therefore a very subjective matter. We can only lean towards the media for inspiration to find our own favourites.

    Should we look to sales figures to determine what are the best albums? Because even though music today is about a lot more than just the actual musical content (take Britney Spears f.ex.) and therefore may seem superficial and thin, the public voice still carries some weight when giving an impression of what's good or bad. Even if we like it or not. But maybe an album is great if is sells 10 million copies - no matter whether the artist is Britney Spears or some basement experimental half-drunken 50-year old Russian fugitive living in Budapest...

    How do you decide?

    Personally, I think the best choice is often to aim somewhere in the middle. If an album sells well and has gotten great or at least good reviews, it's probably worth checking out. At least if you have a fairly wide taste in music and don't only get turned on by Slayer or Backstreet Boys.

    Maybe a good idea is to find a few reference points you can compare your own music taste with. This could be a certain music magazines or even a specific critic. You then know that if this person likes an album, you'll probably like it too....or the other way around. I personally use the media and friends as reference points plus the occasional discovery journey in the local record stores. This approach seems to work well since I dig out a lot of music I like and rarely come across really great artists I have never ever heard of before...

    So, if all else fails, I guess you'll just have to take a few chances now and then to find that special artist or album. There might be a lot of crap amongst your findings, but for every pearl you dig out you should be prepared to swallow a certain amount of bad tasting pieces of dirt.

  • NME Carling Awards 2001 - The results. As promised a few weeks ago, below you will find the results of the NME awards held on February 6th. I guess there weren't too many surprises. For more info and reports on the awards, check www.nme.com. The winners are (I have marked my personal winners with a ):

    Best Band:
    Coldplay
    Oasis
    Primal Scream
    Radiohead
    U2 WINNER!
    Best Album:
    Badly Drawn Boy: "The Hour Of Bewilderbeast"
    Coldplay: "Parashutes"
    Eminem: "The Marshall Mathers LP"
    Primal Scream: "Exterminator" WINNER!
    Radiohead: "Kid A"
    Best Solo Artist:
    Richard Ashcroft
    Badly Drawn Boy WINNER!
    Eminem
    PJ Harvey
    Robbie Williams
    Best Single:
    Blur: "Music Is My Radar"
    Coldplay: " Yellow" WINNER!
    Eminem: "Stan"
    Limp Bizkit: "Take A Look Around"
    Oasis: "Go Let It Out"

    Best New Artist:
    At The Drive-In
    Badly Drawn Bos
    Coldplay WINNER!
    Doves
    JJ72

    Hero Of The Year:
    Badly Drawn Boy
    Eminem
    Liam Gallagher WINNER!
    Noel Gallagher
    Thom Yorke
    Best Hip Hop Act:
    Cypress Hill
    Dr. Dre
    Eminem WINNER!
    Outkast
    Wu-Tang Clan
    Villain Of The Year:
    Nick Bateman
    Fred Durst (Limp Bizkit)
    Eminem
    Liam Gallagher
    Robbie Williams WINNER!
    Best Pop Act:
    All Saints WINNER!
    Five
    Madonna
    S Club 7
    Britney Spears
    Best R&B/Soul Act:
    Craig David
    Destiny's Child
    Macy Gray
    Kelis WINNER!
    Sugababes
    Best Dance Act:
    Artful Dodger
    Fatboy Slim WINNER!
    Moby
    Sonique
    Underworld
    Best Metal Act:
    At The Drive-In
    Limp Bizkit
    Marilyn Manson WINNER!
    Stone Age
    Slipknot

Notlist

  • Creed. This post-grunge mainstream rock band has sold over 9 million copies of their debut album in the US. This is just horrible since I find their music tragically ordinary and copyist. It so beats me how a band like this can sell that amount of albums....a bit like Hootie & The Blowfish selling over 13 million of their debut album. Come on, Americans, if you need somebody to direct you to some decent music, I'll be glad to help you!
  • German R&B. It had to happen. With every country jumping on the ever-forgettable R&B wave, German R&B artists are now also surfacing in the international charts. I really wish they'd stick to techno and trance music - at least they do that with some success. There just isn't much credibility in a German guy pouring his heart out in R&B style...
  • Danish Eurovision Song Contest. With Denmark winning the Eurovision Song Contest last year, the whole country went mad and suddenly the whole concept got all credible and accepted. This weekend, the Danish contender for this year's throne was found and in May the battle is to be fought in Copenhagen. I mean, no matter how you twist and turn it, the musical qualities of the contest remain a big pile of crap! I hope this will soon be realised so that we can all go back listening to at least half decent music on the radio again...
  • Blur: "13". This album was honoured as being the best album of 2000 by many magazines and music critics. Maybe I'm missing the plot or just haven't understood the album....because I think it's faily awful. Admitted, it does have its moments and given Blur's musical qualities will never be completely bad....but to me, it just lacks any really good songs and melodies and is too experimental for its own good. A bit like Radiohead's "Kid A". File as "Higly Overrated".
  • JJ72 live. Went to a concert with this Irish band a couple of days ago and was fairly entertained. However, I think the band lacked some extrovert audience appeal and should do more to make their performance interesting and more varied. At least the concert left me with the impression that JJ72 are best discovered on cd.


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